Site Meter Copyright Talk » Blog Archive » What’s the Creative Part?

What’s the Creative Part?

by

Creative Commons is a non-profit organization set up to provide tools to help authors who want people to have some right to use their work without asking permission each time, and to help users find works that have pre-granted permission to use it in various ways. Their literature talks about how easy and wonderful getting permission to use things is when the user and author talk directly, without those pesky “intermediaries.” Intermediary, as used by Creative Commons, seems to mostly mean “attorney.”

On the surface, Creative Commons and it’s pre-written boilerplate licenses seem like a fine idea. But I’ve been puzzling since it’s inception in 2004 over what it actually does that is new and different and useful. After all, any copyright owner has always had the ability to set out blanket grants of rights in the copyright notice placed on the work. And attorneys don’t make decisions for their clients, they merely make sure, as best they can, that the actual decision their client wants to make is carried out in the way they want. Sometimes a deal is reached, sometimes it’s not, but that’s based on the decisions of the parties, not the attorneys.

Anyway, so if authors and users can already talk, and if authors can already grant blanket permissions in advance, what is the point of having Creative Commons? Creative Commons itself clearly says that it is not a replacement for or an alternative to copyright.

I finally arrived at this, although my thinking may change. I believe Creative Commons is primarily useful as a new type of marketing model. They provide another database for authors works to appear in, another way for potential users to discover that they exist. The hook for users is that all the items they find can be reproduced or modified without having to take any more steps to locate and negotiate with the author. That’s a good hook for users. For authors, the only real benefit I can see is that additional potential visibility in the database.

I’ll end with this - Creative Commons IS NOT a rebellious attempt to free authors from the chains of copyright. More importantly, using a creative commons license DOES NOT mean your work will be used any more than it would be used if you didn’t have the creative commons license. But for some authors, it may be a good marketing decision for them to put some of their works under a creative commons license.


One Response to “What’s the Creative Part?”

  1. Copyright Talk » Blog Archive » Licenses VS Fair Use? Says:

    [...] videos of the dance being circulated, the Electric Frontier Foundation suggested that he use a Creative Commons license to make clear that people could in fact post non-commercial videos of the dance, and he [...]

Leave a Reply


About Copyright Talk

Copyright touches writers, music lovers, teachers, musicians, businesses, artists, amateur filmmakers, students, libraries, and publishers – to name just a few! In other words, these days everyone is affected by copyright and everyone needs to have at least a basic understanding of it. Copyright Talk discusses issues and developments everyone needs to know about.

Copyright Talk Author(s)

Business & Finance Channel Posts

  • Copyright Basics in the Digital World
    Copyright. The concept is pretty simple – copyright provides a territorial claim to intellectual property (creative ideas set down in a fixed medium) that allows the creator to profit from the [...]
  • Illegal Downloading Court hearing may be Webcast
    Although the RIAA has recently said that it will stop suing individual who may be illegally sharing music files - in other words, people the RIAA believes may be infringing their copyright but not as [...]
  • There's No Law Against Being Stupid
    Or anti-social, or even just plain mean. We tend to collectively cringe at the thought of great art treasures being destroyed, and yet we allow private ownership of art works and the concurrent [...]
  • Obama's Appointments
    Washington lawyer Thomas Perrelli has been nominated by President-elect Obama for the position of associate attorney general, third in command at the Justice Department. Perrelli has much experience [...]
  • DRM for books?
    A recent column in the New York Times considers whether the ease of finding used copies of books is causing - or at least contributing to - the cratering of the publishing business. Although [...]
  • Lawsuits to End?
    The Wall Street Journal reports that the RIAA is planning to end its controversial anti-piracy strategy of filing copyright infringement lawsuits against any and all small time possible infringers, [...]
  • Google Settlement Draws Ire
    The proposed settlement between Google and various book publishers (which still needs final approval from the Court) is slowly getting more and more clear. There are more than 300 pages in the [...]
  • College Test Files
    There's a difference between access and copying. But the difference is not so intuitively obvious in the case of online archives. It is critical, however, in determining the possibility of [...]
  • Song-Swapping Lawsuits Face [real] Challenge
    The quick recap: * peer to peer file swapping is huge * recording industry believes song swapping interferes with sales * Song swapping really is a copyright infringment in many cases * Recording [...]
  • Google Agreement
    Remember the big dust-up over Google's plans to digitize all books everywhere in the world and beam them into everyone's head so all information throughout time would be universally [...]

Hot Off The Press